Kavi Gupta Gallery
Skip to main content
  • Menu
  • Home
  • News
  • Artists
  • Exhibitions
  • Viewing Room
  • Video
  • Fairs
  • press
  • Blog
  • Editions
  • Public Works
  • Information
Menu

Jeffrey Gibson, BELIEVE! BELIEVE!

Past viewing_room
1 - 29 July 2020
  • JEFFREY GIBSON: BELIEVE! BELIEVE!

    • Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020.

      Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020.


  •  

    Kavi Gupta proudly presents the digital exhibition BELIEVE! BELIEVE!, Jeffrey Gibson’s first show of works on paper. Gibson is best known for his beaded works, paintings, reclaimed punching bags, and his long-running series examining transformational, performative garments. These prints extend his exploration of the contemporary confluence of Native American traditions with the visual languages of Modernism, personal identity, culture, history, and international social narratives.

     


     

    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 30 x 22 x 1 Unframed Unique Monoprint Series, #30 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      30 x 22 x 1 Unframed
      Unique Monoprint Series, #30 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%2330%20of%2083%3C/div%3E
    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 30 x 22 x 1 Unframed Unique Monoprint Series, #60 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      30 x 22 x 1 Unframed
      Unique Monoprint Series, #60 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%2360%20of%2083%3C/div%3E
    • Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020

      Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020


  •  

    The works in this exhibition had their genesis back in 2017, halfway through the first year of the Trump administration. Jeffrey Gibson had just opened a solo show at the Haggerty Museum of Art in Milwaukee called LOOK HOW FAR WE’VE COME!

     

    “At the time I remember feeling that the phrase was fraught,” Gibson says. “I felt like we were stepping back in time in terms of civil rights and equal justice.” He kept the title nonetheless, because it reminded him of something his father taught him: that real change takes time. “Acknowledging how much progress has been made doesn’t mean you accept things as they are,” Gibson says.

     

    In conjunction with the exhibition, Gibson led a screenprinting workshop with students from the Milwaukee Institute of Art and Design (MIAD). He modeled the workshop after the teaching practices of Corita Kent, a 20th century Roman Catholic religious sister who revolutionized the medium. Kent’s social activism caused her to be labeled “blasphemous” by the church. She persisted anyway, offering popular free screenprinting courses in Los Angeles that were attended by everyone from homeless people to college students to cultural icons, like Buckminster Fuller, John Cage, and Alfred Hitchcock.

     

    Gibson filled one gallery at the Haggerty with Kent’s screenprints, using them to teach the MIAD students about her use of appropriated text and her methods of reversing images, tagging elements to be out of focus, and layering colors so they interfere with each other. Then Gibson designed ten unique screens so the students could learn firsthand how the screenprinting process works.

     


     

     

    • Jeffrey Gibson, Look How Far We've Come, Haggerty Museum of Art | Milwaukee, WI
      Exhibitions

      Jeffrey Gibson, Look How Far We've Come

      Haggerty Museum of Art | Milwaukee, WI 2 February - 21 May 2017 Contemporary artist Jeffrey Gibson is best known for sculptures and paintings that intermingle traditional Native American art with contemporary art and culture. The Haggerty Museum of Art at Marquette University will present Look How Far We’ve Come!, a solo exhibition of Gibson’s work, from February 2 – May 21, 2017.
    • 7654 Detail 2
    • 7654 Detail 1
  •  


     

    In addition to the phrase LOOK HOW FAR WE’VE COME!, Gibson chose two other phrases to utilize in the prints: BELIEVE! BELIEVE!, and WANT NEED.

     

    “BELIEVE! BELIEVE! was the first punching bag I did with beaded text,” Gibson explains. “At that point I was talking to myself about being an artist, questioning whether this was viable to do.”

     

    WANT NEED came from the first beaded wall hanging Gibson ever made, WHAT WE WANT WHAT WE NEED (2013), which invoked a line from the Public Enemy song Fight the Power.

     

    “The difference between want and need can be confused in a time of trauma and panic,” Gibson says, “but it’s crucially important as we move forward to focus on that difference.”

     

    Gibson added in various patterns he was working with at the time, along with a negative space circle that repeats throughout the prints. “I’ve thought about that circle in terms of indigenous architectural structures, moving from one space to another,” he says. “Those portals, circles, act as places of transition, going inside and outside. They overlap. They make a third space. I was integrating design into content, that’s where the circle comes from.”

     


     

     

     

    • Jeffrey Gibson BE WITCHED BOTHERED AND BE WILDERED, 2019 Found canvas punching bag, glass beads, plastic beads, artificial sinew, steel studs, acrylic paint, steel chain 68 x 20 x 20 in 172.7 x 50.8 x 50.8 cm
      Jeffrey Gibson
      BE WITCHED BOTHERED AND BE WILDERED, 2019
      Found canvas punching bag, glass beads, plastic beads, artificial sinew, steel studs, acrylic paint, steel chain
      68 x 20 x 20 in
      172.7 x 50.8 x 50.8 cm
      Sold
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBE%20WITCHED%20BOTHERED%20AND%20BE%20WILDERED%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2019%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFound%20canvas%20punching%20bag%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eglass%20beads%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eplastic%20beads%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eartificial%20sinew%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esteel%20studs%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eacrylic%20paint%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esteel%20chain%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E68%20x%2020%20x%2020%20in%3Cbr/%3E%0A172.7%20x%2050.8%20x%2050.8%20cm%3C/div%3E
    • Jeffrey Gibson STAND YOUR GROUND, 2019 Cotton and linen, digitally printed fabric, polyester thread, cotton batting 87 1/2 x 68 in 222.3 x 172.7 cm
      Jeffrey Gibson
      STAND YOUR GROUND, 2019
      Cotton and linen, digitally printed fabric, polyester thread, cotton batting
      87 1/2 x 68 in
      222.3 x 172.7 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESTAND%20YOUR%20GROUND%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2019%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECotton%20and%20linen%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Edigitally%20printed%20fabric%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Epolyester%20thread%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecotton%20batting%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E87%201/2%20x%2068%20in%3Cbr/%3E%0A222.3%20x%20172.7%20cm%3C/div%3E
    • Jeffrey Gibson, LOOK HOW FAR WE’VE COME!, 2016
      Jeffrey Gibson, LOOK HOW FAR WE’VE COME!, 2016
      Enquire
      %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJeffrey%20Gibson%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ELOOK%20HOW%20FAR%20WE%26%238217%3BVE%20COME%21%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2016%3C/span%3E
    • Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020

      Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020

    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 30 x 22 x 1 Unframed Unique Monoprint Series, #48 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      30 x 22 x 1 Unframed
      Unique Monoprint Series, #48 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%2348%20of%2083%3C/div%3E
    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 30 x 22 x 1 Unframed Unique Monoprint Series, #2 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      30 x 22 x 1 Unframed
      Unique Monoprint Series, #2 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%232%20of%2083%3C/div%3E
    • 7660 Detail 2
    • 7656 Detail 3
    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 22 x 30 x 1 Unframed Unique Monoprint Series, #56 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      22 x 30 x 1 Unframed
      Unique Monoprint Series, #56 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E22%20x%2030%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%2356%20of%2083%3C/div%3E
    • Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020

      Jeffrey Gibson, BELIEVE! BELIEVE! (virtual installation view), 2020

  •  


     

    Over a period of four days, Gibson and the MIAD students collaborated to mix the colors and pull about 80 prints. Some were given to the Haggerty Museum; others were given to the students. The remaining prints went back to the studio with Gibson.

     

    “Since I didn’t have a relationship with printmaking, I was sheepish about showing them,” Gibson says. “Now when I look at them, I see how they grew into other artworks, and how the text became more significant. They make sense within the broader view of my practice.”

     

    Reflecting upon their messaging, Gibson felt now is the perfect time to show the prints publicly for the first time.

     

    “People have asked if I identify as an activist, and I say, ‘No,’” says Gibson. “I feel like activism is on the front line, in the marches. I’ve known about racism and homophobia my whole life. I’ve worked to carve out a space to propose a different kind of future for myself, for Indigenous people, for Indigenous queer folks, to have a space beyond the narrow space that we’re offered—a space where I can think about community-based reconciliation. That’s what I see in the work.”

     

    Twenty-five percent of proceeds from the sale of each print will be donated to Black Lives Matter, a global network building power to bring justice, healing, and freedom to Black people across the globe, and NDN collective, an Indigenous-led organization dedicated to building Indigenous power and creating sustainable solutions on Indigenous terms through organizing, activism, philanthropy, grantmaking, capacity-building, and narrative change.

     

     


     

     

    • Jeffrey Gibson, LOOK HOW FAR WE’VE COME!, 2016
      Jeffrey Gibson, LOOK HOW FAR WE’VE COME!, 2016
      Enquire
      %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJeffrey%20Gibson%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ELOOK%20HOW%20FAR%20WE%26%238217%3BVE%20COME%21%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2016%3C/span%3E
    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 30 x 22 x 1 Unframed Unique Monoprint Series, #34 of 83
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      30 x 22 x 1 Unframed
      Unique Monoprint Series, #34 of 83
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2022%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%2334%20of%2083%3C/div%3E
    • Jeffrey Gibson LOOK HOW FAR WE’VE COME!, 2016 Screen print 22 x 30 x 1 Unframed Unique Monoprint Series, AP of 12
      Jeffrey Gibson
      LOOK HOW FAR WE’VE COME!, 2016
      Screen print
      22 x 30 x 1 Unframed
      Unique Monoprint Series, AP of 12
      Available
      %3Cdiv%20class%3D%22artist%22%3EJeffrey%20Gibson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ELOOK%20HOW%20FAR%20WE%E2%80%99VE%20COME%21%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2016%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E22%20x%2030%20x%201%20Unframed%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%20Monoprint%20Series%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EAP%20of%2012%3C/div%3E
  • ABOUT THE ARTIST

    2019 MacArthur Genius Grant winner Jeffrey Gibson (b. 1972, USA) combines Native American traditions with the visual languages of Modernism to explore the contemporary confluence of personal identity, culture, history, and international social narratives. Gibson is a member of the Choctaw and Cherokee nations. He currently lives and works in Hudson, New York. One of his most recognized series involves punching bags that Gibson deftly transforms into aesthetic totems. Another of Gibson’s long running series involves an examination of ceremonial garments. A selection of these garments were exhibited in the 2019 Whitney Biennial.

     

    Jeffrey Gibson, CAN YOU FEEL IT (installation view), 2019, Kavi Gupta | Elizabeth St.

     

    Gibson’s work is included in the collections of the Smithsonian Institution, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Denver Art Museum, the Museum of Fine Arts Boston, the Eiteljorg Museum, the Nerman Museum of Contemporary Art, amongst others. Recent exhibitions include Jeffrey Gibson: When Fire is Applied to a Stone it Cracks, Brooklyn Art Museum, NY; Jeffrey Gibson: CAN YOU FEEL IT, Kavi Gupta, Chicago, USA; She Never Dances Alone, Times Square Arts; Jeffrey Gibson: This Is the Day, Blanton Museum of Art, Austin, TX, USA; Jeffrey Gibson: The Anthropophagic Effect, New Museum, New York, USA; and Jeffrey Gibson: Like a Hammer, Denver Art Museum, Denver, CO, USA, and Seattle Art Museum, Seattle, WA, USA.

     

     


     

     

    • Jeffrey Gibson, CAN YOU FEEL IT, Kavi Gupta | 219 N. Elizabeth St. Chicago, IL, 60607
      Exhibitions

      Jeffrey Gibson, CAN YOU FEEL IT

      Kavi Gupta | 219 N. Elizabeth St. Chicago, IL, 60607 20 September - 12 December 2019 Kavi Gupta is thrilled to present CAN YOU FEEL IT, a solo show of new work by 2019 MacArthur Genius Grant award winner Jeffrey Gibson.
    • Jeffrey Gibson, WHEN FIRE IS APPLIED TO A STONE IT CRACKS, The Brooklyn Museum | NYC
      Exhibitions

      Jeffrey Gibson, WHEN FIRE IS APPLIED TO A STONE IT CRACKS

      The Brooklyn Museum | NYC 14 February 2020 - 10 January 2021 Jeffrey Gibson: When Fire Is Applied to a Stone It Cracks is organized by Jeffrey Gibson and Christian Ayne Crouch, Curatorial Advisor, with Eugenie Tsai, John and Barbara Vogelstein Senior Curator, Contemporary Art, and Erika Umali, Assistant Curator of Collections, with support from Nancy Rosoff, Andrew W. Mellon Senior Curator, Arts of the Americas, and Molly Seegers, Museum Archivist, Brooklyn Museum.
    • Jeffrey Gibson, She Never Dances Alone, Midnight Moment | Times Square, NYC
      Exhibitions

      Jeffrey Gibson, She Never Dances Alone

      Midnight Moment | Times Square, NYC 1 - 31 March 2020 A multi-channel video created specifically for the screens of Times Square, She Never Dances Alone (2019) is Gibson’s celebration of the Indigenous matriarchy, centering on the jingle dress dance, a...
    • Jeffrey Gibson, BECAUSE ONCE YOU ENTER MY HOUSE, IT BECOMES OUR HOUSE, MONUMENTS NOW, Socrates Sculpture Park | Queens, NY
      Exhibitions

      Jeffrey Gibson, BECAUSE ONCE YOU ENTER MY HOUSE, IT BECOMES OUR HOUSE

      MONUMENTS NOW, Socrates Sculpture Park | Queens, NY 10 July 2020 - 14 March 2021 On view beginning Saturday, July 11, 2020, Jeffrey Gibson’s commission for the ‘MONUMENTS NOW‘ exhibition, ‘Because Once You Enter My House It Becomes Our House,’ serves as an homage to ingenuity of Indigenous North American peoples and cultures, to pre-Columbian Mississippian architecture, and to queer camp aesthetics. Gibson has designed the multi-tiered structure to reference the earthen architecture of the ancient metropolis of Cahokia, the largest city of the North American Indigenous Mississippian people at its height in the thirteenth century. The earth mound of the pre-Columbian ziggurat will, in Gibson’s multi-tiered monument, be represented with a plywood structure adorned with a vibrant surface of wheat-pasted posters integrating geometric designs inspired by the Serpent Mound located in Ohio, another monument of the Mississippi Valley, alongside texts that operate as activist slogans. Gibson curated Indigenous led performances to activate the structure over the course of the installation.
  •  


     

     

     

                    

    Jeffrey Gibson: Like a Hammer

    Published by Prestel in association

    with the Denver Art Museum, 2018, hardcover,

    144 pages, 11.4 x 9.4 inches.

     

    Jeffrey Gibson

    Published by Kavi Gupta,

    2019, paperback, 110 pages, 7 x 5 inches.

     

     



     

835 W. Washington Blvd.
Chicago, IL 60607

Opening Hours
Tue-Fri, 10am-6pm
Sat, 11am-5pm

219 N. Elizabeth Street

Chicago, IL 60607

Opening Hours
By appointment only

Contact

Tel. +1 312 432 0708
Fax +1 312 432 0709
Mail info@kavigupta.com

For publications
please visit
Kavi Gupta Editions

  • Facebook
  • Twitter
  • Instagram
  • Newsletter
Join the mailing list
View on Google Maps
2021 Kavi Gupta
Online Viewing Rooms by Artlogic