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JEFFREY GIBSON: THE ANTHROPOPHAGIC EFFECT
New Museum, New Museum, February 1, 2019 -
THIS IS NO TIME TO CRY WITH DEVAN SHIMOYAMA
Maria Brito Co-Produced and Co-Edited by Peter Koloff and Maria Brito, Cultured, February 1, 2019
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SPORTS, TOMMIE SMITH AND RACIAL INJUSTICE
Bo Emerson, Atlanta Journal Constitution, February 1, 2019 -
BLACK CANADIAN WOMEN ARTISTS DETANGLE THE ROOTS OF BLACK BEAUTY
Cheryl Thompson, The Conversation, January 17, 2019
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CULTURE TYPE: THE YEAR IN BLACK ART 2018
Victoria L. Valentine, Culture Type, January 15, 2019 -
ARTIST DEVAN SHIMOYAMA TAKES ON RACE AND SEXUALITY WITH GLITTER AND RHINESTONES
Noah Johnson, GQ Magazine, January 15, 2019
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THE BILLIONAIRE WHO IS TRYING TO MAKE DALLAS TRENDY
Sheila Marikar, Fortune, January 11, 2019 -
PITTSBURGH REPORT: FIVE PLACES FOR HEALING THROUGH ART
Martha Schwendner, The New York TImes, January 2, 2019
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BEST OF 2018: OUR TOP 20 EXHIBITIONS ACROSS THE UNITED STATES (EXCERPT)
HYPERALLERGIC, HYPERALLERGIC, December 19, 2018 -
‘ANONYMOUS WAS A WOMAN’ AWARD GIVES MAJOR BOOST TO 10 FEMALE ARTISTS
Colleen Curry, Galerie, December 18, 2018
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WHY THIS FEMALE-LED ORGANIZATION GIVES ART GRANTS TO WOMEN 40 AND OVER
Angela M.H. Schuster, Robb Report, December 11, 2018 -
THE RECIPIENTS OF THE 2018 ANONYMOUS WAS A WOMAN GRANTS FOR FEMALE ARTISTS WERE ANNOUNCED
Artsy, Artsy, December 11, 2018
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ART MOVEMENTS (EXCERPT)
Jasmine Weber, Hyperallergic, December 11, 2018 -
HERE ARE THE 10 FEMALE ARTISTS OVER 40 WHO HAVE WON THE $250,000 ANONYMOUS WAS A WOMAN AWARDS
Sarah Cascone, Artnet News, December 11, 2018
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JEFFREY GIBSON WITH NICK BENNETT
Nick Bennett, Brooklyn Rail, December 11, 2018 -
LONG-RUNNING ‘ANONYMOUS WAS A WOMAN’ GRANTS AWARDED FOR 2018, WITH BETTY TOMPKINS AND DEBORAH ROBERTS AMONG 10 WINNERS
Alex Greenberger, ARTnews, December 11, 2018
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“ANONYMOUS WAS A WOMAN” NAMES 2018 GRANT RECIPIENTS
Art Forum, ARTFORUM, December 11, 2018 -
TWO REVELATORY EXHIBITIONS UPEND OUR UNDERSTANDING OF BLACK MODELS IN ART
Sebastian Smee, Washington Post, December 10, 2018
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5 OUTSTANDING DISCOVERIES AT MIAMI ART WEEK’S SATELLITE FAIRS
Andrew Goldstein, ARTNET, December 8, 2018 -
THE ART WORLD OFTEN EXCLUDES BLACK WOMEN. MICKALENE THOMAS’S SUPERPOWER IS MAKING THEM VISIBLE
Amanda Parris, CBC, December 8, 2018
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THE EMERGENCE OF A BRASH YOUNG PAINTER
David Carrier and Graham Shearing, HYPERALLERGIC, December 8, 2018 -
JEFFREY GIBSON’S FUTURIST GAZE
Seph Rodney, HYPERALLERGIC, December 5, 2018
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THE BALTIMORE MUSEUM OF ART – MICKALENE THOMAS SELECTED AS INAUGURAL ARTIST FOR NEW BIENNIAL PUBLIC ART COMMISSION
E-Flux, December 2, 2018 -
STILL THE MAIN ATTRACTION, ART BASEL RETURNS TO MIAMI BEACH
Paul Laster, Galerie, December 1, 2018
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DECONSTRUCTING RACE IN WESTERN PAINTING
David Carrier, HYPERALLERGIC, December 1, 2018 -
AT MIAMI’S ART FAIRS, A SOMBER MOOD SETS IN
Kelly Crow, Wall Street Journal, December 1, 2018
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BALTIMORE MUSEUM OF ART LAUNCHES COMMISSION SERIES AND CURATORIAL FELLOWSHIP WITH FOCUS ON DIVERSITY
ARTFORUM, November 30, 2018 -
FROM A JUDY CHICAGO RETROSPECTIVE TO A CELEBRATION OF AFRICOBRA, HERE ARE 11 SHOWS TO SEE IN MIAMI DURING ART BASEL
Caroline Goldstein, Artnet News, November 27, 2018
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MUSEUM OF CONTEMPORARY ART NORTH MIAMI SHINES NEW LIGHT ON AFRICOBRA
Chadd Scott, Forbes, November 25, 2018 -
BEVERLY FISHMAN
David Rhodes, Brooklyn Rail, November 20, 2018
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STUDIO VISIT: FIRELEI BÁEZ
Isabel Custodio, MOMA Magazine, November 14, 2018 -
THE BEST ART EXHIBITIONS IN SEOUL
Yujin Min, Frieze, November 13, 2018
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POSING MODERNITY
Long Nguyen, Flaunt, November 12, 2018 -
AS IF, AUDEMARS PIGUET BRING STIMULATING TALK TO BEAUTIFUL SETTING
Sharon Edelson, WWD, November 9, 2018
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WHAT IT MEANS WHEN COLUMBIA DOES A SHOW ABOUT THE BLACK MODEL ON ITS WEST HARLEM EXPANSION CAMPUS
Tiana Reid, Vulture, November 9, 2018 -
50 YEARS LATER, CHICAGO ARTISTS ARE GETTING THEIR DUE
Tarrio Mzezewa, New York Times, November 8, 2018
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REDRAWING THE HISTORY OF WOMEN OF COLOR IN VIBRANT HUES
Julia Friedman, HYPERALLERGIC, November 7, 2018 -
JEFFREY GIBSON
Zak Hatfield, ARTFORUM, November 6, 2018
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FIRELEI BÁEZ WITH HỒNG-ÂN TRƯƠNG
Hồng-Ân Trương, The Brooklyn Rail, November 1, 2018 -
SEVEN ARTISTS ON THE WARHOL INFLUENCE (EXCERPT)
Autwaun Sargent, New York Times, November 1, 2018
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BEYOND IDENTITY POLITICS, THE ART OF JEFFREY GIBSON
Amy Zion, Art Basel, November 1, 2018 -
ARTIST JEFFREY GIBSON MERGES HIS QUEER AND NATIVE AMERICAN IDENTITIES
Coco Romack, Out, October 31, 2018
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RAISED FIST: TOMMIE SMITH AND HIS “MOMENT OF TRUTH” AT THE 1968 MEXICO CITY OLYMPICS
CBS News, October 28, 2018 -
HIGH EXHIBIT EXAMINES SMITH’S ICONIC OLYMPIC SALUTE
Neighbor Staff, Neighbor Newspapers, October 25, 2018
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THE ANDY WARHOL MUSEUM WOWS WITH THE GLITTER AND GRIT OF DEVAN SHIMOYAMA: CRY, BABY
Amanda Waltz, Pittsburgh City Paper, October 24, 2018 -
POSING MODERNITY: THE BLACK MODEL FROM MANET AND MATISSE TO TODAY
Apollo Magazine, October 24, 2018
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AMID RISING CALLS FOR SOCIAL JUSTICE IN AMERICA, THE CLENCHED FIST IS APPEARING IN ARTWORK AND MUSEUMS
Victoria L. Valentine, Culture Type, October 23, 2018 -
MATISSE TO MODERNITY: THE EVOLUTION OF BLACK FEMALE MODELS IN ART
Nadja Sayej, Guardian, October 22, 2018
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DEVAN SHIMOYAMA WITH HIS 2018 WORK 11 ‘CRY, BABY’: DEVAN SHIMOYAMA’S YOUNG CAREER TAKES OFF WITH SOLO SHOW AT THE WARHOL
M. THOMAS, Pittsburgh Post-Gazette, October 19, 2018 -
THE MEANING OF METAL: RICHARD HUNT BALANCES NATURAL AND INDUSTRIAL THROUGH SCULPTURE
Jessica Smith, Flagpole Magazine, October 17, 2018
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LIFE-ALTERING PROTESTS AS RELEVANT TODAY AS THEY WERE 50 YEARS AGO
Daniel Bates, The National Art and Culture, October 16, 2018 -
ARTS REVIEW: IN DEPICTING WOMEN IN HER LIFE, PAINTER MICKALENE THOMAS PREFERS FLASH, DEPTH
Nancy Gilson, The Columbus Dispatch, October 14, 2018
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THE PAINTER REIMAGINING RARELY SEEN WARHOL WORK WITH BLACK DRAG QUEENS
Lexi Manatakis, DAZED, October 12, 2018 -
MICKALENE THOMAS MAKES A MUSE OF CARDI B
Jasmine Weber, HYPERALLERGIC, October 11, 2018
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CARDI B CHANNELS HOLLYWOOD’S LEGENDARY LATINA GLAMOUR QUEENS IN W’S ART ISSUE (EXCERPT)
Diane Solway, W Magazine, October 10, 2018 -
HIGH ART: CARDI B AND ARTIST MICKALENE THOMAS COLLAB FOR W MAGAZINE
Maiysha Kai, The Glow Up | The Root, October 10, 2018
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ARTIST EMBRACES ALTERNATIVE PERSPECTIVES ON RACE
Andrew Ptaschinski, Carnegie Mellon University, October 9, 2018 -
WARHOL MUSEUM DRAWS PARALLELS WITH DEVAN SHIMOYAMA’S “CRY, BABY”
Amanda Reed, Pittsburgh Current, October 9, 2018
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PROPS, ASSISTS AND SITUATIONS: JESSICA STOCKHOLDER AT THE CONTEMPORARY AUSTIN
Tatiana Ryckman, Glasstire, October 6, 2018 -
CHICAGO ROUNDUP (EXCERPT)
Orti Gat, Art Agenda, October 5, 2018
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MIAMI’S MOCA PRESENTS CHICAGO-BASED AFRICOBRA COLLECTIVE DURING ART BASEL MIAMI BEACH 2018
Art Fix Daily, Art Fix Daily, October 4, 2018 -
MONIQUE DAVIS TAKES HELM OF CENTER FOR ART & PUBLIC EXCHANGE (EXCERPT
MBJ Staff, Mississippi Business Journal, October 4, 2018
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‘90S CLUB-KID MEETS MODERN ABSTRACTION IN JEFFREY GIBSON’S SOLO SHOW
Carol Kino, Wall Street Journal Magazine, October 4, 2018 -
THE HIGH MUSEUM OF ART CELEBRATES TOMMIE SMITH AND THE POWER OF PROTEST
Cassidy Sparks, Rolling Out, October 4, 2018
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REVIEW: POLITICAL PROTEST THE FOCUS OF HIGH MUSEUM’S ‘WITH DRAWN ARMS
Felicia Feaster, Atlanta Journal Constitution , October 3, 2018 -
EVEN AS BREXIT LOOMS, GALLERIES NOTCH SALES ON FRIEZE LONDON’S OPENING DAY (EXCERPT)
Judd Tully, ARTnews, October 3, 2018
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5 LESSONS IN FEMINIST ART (EXCERPT)
Jenna Adrian-Diaz, The Cut, October 3, 2018 -
ARTIST MICKALENE THOMAS OPENS UP ABOUT THE IMPORTANCE OF DIVERSE BODIES IN HER WOR
Kimberly Drew, Hapers Bazaar, October 3, 2018
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THE HIGH’S LATEST EXHIBIT REINTERPRETS THE 1968 OLYMPIC PROTEST
Patrice Worthy, WABE NPR, October 2, 2018 -
EXHIBIT EXPLORES THEMES OF RACE, STEREOTYPES, COMMUNITY AND LOVE
Tara Thomas, WJTV, October 1, 2018
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HIGH MUSEUM’S LATEST EXHIBITION, “WITH DRAWN ARMS,” SPEAKS TO #TAKEAKNEE AND #BLACKLIVESMATTER
kelundra Smith, Atlanta Magazine, October 1, 2018 -
NATIVE AMERICAN TRADITION MEETS MODERN AESTHETICS IN JEFFREY GIBSON’S ‘DON’T MAKE ME OVER’
Sun Cha, The Hoya, October 1, 2018
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EXHIBITION REFLECTS ON 1968 OLYMPIC PROTEST AND ITS LEGACY
Kate Brumback, The Herald News, September 29, 2018 -
EXHIBITION REFLECTS ON 1968 OLYMPIC PROTEST AND ITS LEGACY
Kate Brumback, AP, September 29, 2018
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CHICAGO EXPO HIGHLIGHTS ART, DESIGN, AND ARCHITECTURE THROUGHOUT THE WINDY CITY (EXCERPT)
Brook Mason, Architectural Digest, September 28, 2018 -
WHAT NOT TO MISS AT FRIEZE LONDON (EXCERPT)
Adam Heardman, Mutual Art, September 26, 2018
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BLACK GIRL MAGIC, MICKALENE THOMAS, AND BEING MY OWN MUSE
JASMYNE KEIMIG, The Stranger, September 21, 2018 -
IN CONVERSATION: JOHN EDMONDS AND MICKALENE THOMAS
Michael Love Michael, Paper Mag, September 19, 2018
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ART REVIEW ‘3-D DOINGS: THE IMAGIST OBJECT IN CHICAGO ART, 1964-1980’ REVIEW: A CELEBRATION OF THE WEIRD (EXCERPT)
Peter Plagens, The Wall Street Journal, September 18, 2018 -
RETROSPECTIVE FROM THE ARCHIVES: MICKALENE THOMAS ON WHY HER WORK GOES ‘BEYOND A BLACK ESTHETIC,’ IN 2011
ARTnews, ARTnews, September 14, 2018
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