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MUSEUM OF CONTEMPORARY ART NORTH MIAMI SHINES NEW LIGHT ON AFRICOBRA

BEVERLY FISHMAN

STUDIO VISIT: FIRELEI BÁEZ

THE BEST ART EXHIBITIONS IN SEOUL

POSING MODERNITY

AS IF, AUDEMARS PIGUET BRING STIMULATING TALK TO BEAUTIFUL SETTING

WHAT IT MEANS WHEN COLUMBIA DOES A SHOW ABOUT THE BLACK MODEL ON ITS WEST HARLEM EXPANSION CAMPUS

50 YEARS LATER, CHICAGO ARTISTS ARE GETTING THEIR DUE

REDRAWING THE HISTORY OF WOMEN OF COLOR IN VIBRANT HUES

JEFFREY GIBSON

FIRELEI BÁEZ WITH HỒNG-ÂN TRƯƠNG

SEVEN ARTISTS ON THE WARHOL INFLUENCE (EXCERPT)

BEYOND IDENTITY POLITICS, THE ART OF JEFFREY GIBSON

ARTIST JEFFREY GIBSON MERGES HIS QUEER AND NATIVE AMERICAN IDENTITIES

RAISED FIST: TOMMIE SMITH AND HIS “MOMENT OF TRUTH” AT THE 1968 MEXICO CITY OLYMPICS

HIGH EXHIBIT EXAMINES SMITH’S ICONIC OLYMPIC SALUTE

THE ANDY WARHOL MUSEUM WOWS WITH THE GLITTER AND GRIT OF DEVAN SHIMOYAMA: CRY, BABY

POSING MODERNITY: THE BLACK MODEL FROM MANET AND MATISSE TO TODAY

AMID RISING CALLS FOR SOCIAL JUSTICE IN AMERICA, THE CLENCHED FIST IS APPEARING IN ARTWORK AND MUSEUMS

MATISSE TO MODERNITY: THE EVOLUTION OF BLACK FEMALE MODELS IN ART

DEVAN SHIMOYAMA WITH HIS 2018 WORK 11 ‘CRY, BABY’: DEVAN SHIMOYAMA’S YOUNG CAREER TAKES OFF WITH SOLO SHOW AT THE WARHOL

THE MEANING OF METAL: RICHARD HUNT BALANCES NATURAL AND INDUSTRIAL THROUGH SCULPTURE

LIFE-ALTERING PROTESTS AS RELEVANT TODAY AS THEY WERE 50 YEARS AGO

ARTS REVIEW: IN DEPICTING WOMEN IN HER LIFE, PAINTER MICKALENE THOMAS PREFERS FLASH, DEPTH

THE PAINTER REIMAGINING RARELY SEEN WARHOL WORK WITH BLACK DRAG QUEENS

MICKALENE THOMAS MAKES A MUSE OF CARDI B

CARDI B CHANNELS HOLLYWOOD’S LEGENDARY LATINA GLAMOUR QUEENS IN W’S ART ISSUE (EXCERPT)

HIGH ART: CARDI B AND ARTIST MICKALENE THOMAS COLLAB FOR W MAGAZINE

ARTIST EMBRACES ALTERNATIVE PERSPECTIVES ON RACE

WARHOL MUSEUM DRAWS PARALLELS WITH DEVAN SHIMOYAMA’S “CRY, BABY”

PROPS, ASSISTS AND SITUATIONS: JESSICA STOCKHOLDER AT THE CONTEMPORARY AUSTIN

CHICAGO ROUNDUP (EXCERPT)

MIAMI’S MOCA PRESENTS CHICAGO-BASED AFRICOBRA COLLECTIVE DURING ART BASEL MIAMI BEACH 2018

MONIQUE DAVIS TAKES HELM OF CENTER FOR ART & PUBLIC EXCHANGE (EXCERPT

‘90S CLUB-KID MEETS MODERN ABSTRACTION IN JEFFREY GIBSON’S SOLO SHOW

THE HIGH MUSEUM OF ART CELEBRATES TOMMIE SMITH AND THE POWER OF PROTEST

REVIEW: POLITICAL PROTEST THE FOCUS OF HIGH MUSEUM’S ‘WITH DRAWN ARMS

EVEN AS BREXIT LOOMS, GALLERIES NOTCH SALES ON FRIEZE LONDON’S OPENING DAY (EXCERPT)

5 LESSONS IN FEMINIST ART (EXCERPT)

ARTIST MICKALENE THOMAS OPENS UP ABOUT THE IMPORTANCE OF DIVERSE BODIES IN HER WOR

THE HIGH’S LATEST EXHIBIT REINTERPRETS THE 1968 OLYMPIC PROTEST

EXHIBIT EXPLORES THEMES OF RACE, STEREOTYPES, COMMUNITY AND LOVE

HIGH MUSEUM’S LATEST EXHIBITION, “WITH DRAWN ARMS,” SPEAKS TO #TAKEAKNEE AND #BLACKLIVESMATTER

NATIVE AMERICAN TRADITION MEETS MODERN AESTHETICS IN JEFFREY GIBSON’S ‘DON’T MAKE ME OVER’

EXHIBITION REFLECTS ON 1968 OLYMPIC PROTEST AND ITS LEGACY

EXHIBITION REFLECTS ON 1968 OLYMPIC PROTEST AND ITS LEGACY

CHICAGO EXPO HIGHLIGHTS ART, DESIGN, AND ARCHITECTURE THROUGHOUT THE WINDY CITY (EXCERPT)

WHAT NOT TO MISS AT FRIEZE LONDON (EXCERPT)

BLACK GIRL MAGIC, MICKALENE THOMAS, AND BEING MY OWN MUSE

IN CONVERSATION: JOHN EDMONDS AND MICKALENE THOMAS

ART REVIEW ‘3-D DOINGS: THE IMAGIST OBJECT IN CHICAGO ART, 1964-1980’ REVIEW: A CELEBRATION OF THE WEIRD (EXCERPT)

RETROSPECTIVE FROM THE ARCHIVES: MICKALENE THOMAS ON WHY HER WORK GOES ‘BEYOND A BLACK ESTHETIC,’ IN 2011

HOW FIRELEI BÁEZ USES YORUBA ICONS AND HER AFRO-CARIBBEAN HERITAGE IN HER PROFOUND ‘JOY OUT OF FIRE’ MURALS

‘ART WORLDS OF CHICAGO’S SOUTH SIDE’ SHEDS LIGHT ON OVERLOOKED ART, DESIGN

RADIANT AND RADICAL: 20 YEARS OF DEFINING THE SOUL OF BLACK ART

AN ARTIST PAYS HOMAGE TO HER GLAMOROUS, DYING MOTHER

THE MAN WHO RAISED A FIST, 50 YEARS LATER

A GOOD YEAR FOR YOUNGER ARTISTS, IMMIGRANT CITIZENS AND OUTRAGE IMAGE

WEXNER CENTER ART EXHIBITION TO EMPOWER WOMEN, CHALLENGE ART HISTORY NORMS

PREVIEWING THE WELLIN MUSEUM’S NEW EXHIBIT: JEFFERY GIBSON’S “THIS IS THE DAY”

CHICAGO AND THE AGE OF BLACK POWER: AN INTERVIEW WITH AFRICOBRA FOUNDING MEMBER GERALD WILLIAMS

FROM MARK BRADFORD IN BALTIMORE TO VICTOR HUGO IN LA: 33 MUSEUM SHOWS AROUND THE US WORTH TRAVELING FOR (EXCERPT)

STOCKARD CHANNING, MICKALENE THOMAS AND MORE ON FULFILLMENT (EXCERPT

HOW TO SUCCEED AS AN ARTIST WHILE LIVING OUTSIDE OF ART-WORLD CAPITALS (EXCERPT)

ARTIST MICKALENE THOMAS: ‘IT WAS ALWAYS A POLITICAL STATEMENT

A LOOK AT PAINTER MICKALENE THOMAS’ LESSER-KNOWN PHOTOGRAPHY AT HENRY ART GALLERY

ART 50 2018: CHICAGO’S ARTISTS’ ARTISTS (EXCERPT)

MISSISSIPPI BAND OF CHOCTAW INDIANS MEMBER SHOWCASES ART AT MISSISSIPPI MUSEUM OF ART

ANDY WARHOL’S TRANS SUBJECTS FINALLY GET NAMED (EXCERPT)

ADRIFT IN ABSTRACTION, YOUNG-IL AHN AT KAVI GUPTA

THE ART OF SUSTAINABILITY: THIS MUMBAI-BASED ARTIST MAKES ART OUT OF WASTE

JEFFREY GIBSON: VIOLENT HISTORIES, BRIGHTER HORIZONS

FROM THE ARCHIVES: JEFFREY GIBSON ON HIS ‘VISCERAL MATERIALS,’ IN 2013

HANS ULRICH OBRIST’S FIRST U.S. MARATHON ANNOUNCES PARTICIPANT LIST

INDIA’S FIRST SCULPTURE PARK IS SET IN AN 18TH-CENTURY FORTRESS

MOTHER AS MUSE IN A POWERFUL SHOW OF BLACK BEAUTY

LIGHTING OF ETERNAL FLAME HIGHLIGHTS SPECIAL OLYMPICS 50TH ANNIVERSARY CELEBRATION

JEFFREY GIBSON CHALLENGES THE PARAMETERS OF NATIVE AMERICAN ART

‘ETERNAL FLAME OF HOPE’ SCULPTURE ERECTED TO HONOR SPECIAL OLYMPICS’ 50TH ANNIVERSARY IN CHICAGO