Patrick Chamberlain (b. 1955, USA) employs a mixture of philosophy and formalism in his work. His visual language includes references to geometric and lyrical abstraction, as well as figurative and conceptual elements.
Fluidly shifting between numerous styles and techniques, Chamberlain’s diverse oeuvre can appear chaotic when seen at disparate points. Shown collectively, his complex practice harmonizes. Marks and materials echo across surfaces with drastically different compositions, some pieces pure and others showing signs of infection as the styles corrupt each other.